To fully appreciate a custom print, we should look first at its opposite – a standard or “on-line” acquired print. These prints are made in unattended, automated, serial operations. You upload your images to a server from your computer or drop them off to a photo service bureau on USB where the sales clerk adds it to the queue on the server with all of the other on-line orders. The server is connected to a series of printers each of which is loaded with one of the standard papers – usually gloss, lustre and matte. The idea is to herd everyone to those few common, inexpensive, resin coated, bright white papers to reap the benefits of volume processing and presumably to offer volume pricing. If better paper is also offered, there will often be just one or perhaps two smooth, matte finish papers offered under the general moniker “Fine Art” or “Giclee.“ Also, many of these photo service bureaus print with dye based inks which fade quickly, especially if not carefully preserved by the buyer.
Once your images are added to the queue, they are pumped through to the series of printers where they are grouped together with hundreds of other images from other customers. There they are averaged and printed, as is, on large rolls of the aforementioned resin coated and matte papers. The file settings which are required for this type of print are the least acceptable for print – flattened 8 bit Jpeg, PNG, etc. in sRGB or sometimes AdobeRGB colour space, usually at or below 25mb in size. If you request a 20” x 30” print to be made from your Jpeg image which only has enough print resolution for a 5” x 7” print, the image will simply be enlarged on the fly without concern for the resulting quality loss. That’s your problem. Their job is simply to print.
